Andy Bauer
Residence: Colorado, USA
Citizenship: U.S.A.
Languages: English, Chinese, Japanese, Russian, Vietnamese, Uyghur and some Tuvan
Credentials: B.A. Asian Studies & Economics, MA Cultural Anthropology, Ph.D. Cultural Anthropology
Date of Birth: February 19th, 1983
Specialties: 12-String Guitar, American Folk Singing, Tuvan Throat Singing, Synthesizer, Uyghur Ghirjek, Tuvan Igil, Polyglot Vocals
Son of a woodworker family in Colorado, he became interested in music during the first year of high school and absorbed the enthusiasms of his mother and father for 70s rock becoming a 12-string acoustic guitar player interested studying and then singing in many different languages. He has collaborated with Greywolf Band, Alash Ensemble, and members of Huun Huur Tu as well as Tawn Touch songwriting with definite influences from Central Asian music and culture. He studied throat singing under Bady-Dorju Ondar and has been a surnayist for the Uyghur rock band Greywolf. He has a MA in Cultural Anthropology from Minzu University and is currently a Ph.D. candidate thereat. He has received an international scholarship for 8 consecutive years and mainly researches the contemporary songwriting and musical development trends in Central and Inner Asia. In 2011, he won 1st Prize for Innovation in the Minzu University Ethnic Arts Final Competition as well as 4th Prize on the Ghirjek during the Beijing International Instrumentalist Competition (Beijing, China). In 2015, he won an award for original composition, in the Khoomei at the Center of Asia competition (Kyzyl, Tuva) and an award for dedication to the international development of Mongolian and Tuvan Folk Music by an Inner Mongolian organization.
Activity Highlights
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2002 Japan International Khoomei Festival (Tokyo, Japan)
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2002 Tokyo Foreign Language University (Tokyo, Japan)
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2011-2013 w/Greywolf (Columbia University/California University/Beijing)
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2012-2013 Solo Concert w/Nanjing Bar (Nanjing, Shanghai, Beijing, Shenzhen, Hong Kong, Guangzhou)
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2012 National Amusement Park (Ulaanbaatar, Mongolia)
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2012 Performance and Lecture Chulalongkorn University (Bangkok, Thailand)
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2013 Collaborative Concert “Winter” Swallow Hill Music (Denver, Colorado)
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2014 Solo Performance w/Alash Ensemble (Beijing, China & Minzu University)
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2015 Solo Performance in Kyzyl, Tuva (International Khoomei Festival & Competition)
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2016 Living Mythologies “Inner Astronomy Tour” (Peking Uni., Minzu Uni., Beijing, Nanjing, Shanghai, Hangzhou)
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2017 Wumeng Prairie Festival (Guizhou, China)
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2017 Kongor-ool Ondar International Memorial Concert (Kyzyl, Tuva)
Collaborative Projects
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1999 Formed rock band “Uriaha”
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2002 Released first solo album “Withrough”
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2001-2005 Cornell College Orchestra Bassist
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2008 Formed “Elephants with Guns”
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2011-Present Worked with Greywolf Band on studio albums and international tours
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2012-2013 Worked on collaborative music project with H’mong musician Diegui and toured China
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2014 Completed music field survey of Tuvan music after doing fieldwork with Valentina Suzukei
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2015 Commenced work with Radik Tyulyush (Huun Huur Tu) and Azmat Hekim (Hanhong) for
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2016-2018 Living Mythologies Inner Astronomy Tour (China, Russia, U.S.A.)
Radik Tyulyush (Радик Түлүш)
Residence: Kyzyl, Tuva (Russian Federation)
Citizenship: Russian Federation
Languages: Tuvan, Russian, English, German
Credentials: B.A. Music, MA Musicology
Date of Birth: June 25th, 1974
Specialties: Byzaanchy, Shoor, Igil, Tuvan Folk Singing, Tuvan Throat Singing, Jew’s Harp, Guitar, Cello
The son of a chauffeur father and doctor mother from the southwest of Tuva, Radik Tyulyush is working with great effort for the development of both traditional and contemporary Tuvan music as an inheritor of the folk art. Radik Tyulyush learned throat singing and Tuvan folk instruments from his grandfather and uncle at remote taiga sites during the summer and in this way learned the words and melodies of ancient Tuvan songs. He is a graduate of the Kyzyl School of Arts (Tuvan national instruments department) and the East-Siberian State Academy of Culture and Arts. He plays the igil and byzaanchy fiddles, the shoor end-blown pipe, the doshpuluur lute and the khomys (Tuvan jew’s harp). He has been a member of the Tuvan rock band “Uer” since high school which has released four albums. In the early 2000s, he worked with the pioneering group “Yat-kha” with whom he did extensive international tours. He worked on 2 of their albums one of which won first prize during the "BBC Radio 3 Award for World Music” competition. In February 2013, he released his second solo album entitled “Chalama”, which means colored ribbons tied to the branches of a tree in a sacred place or rather “ovaa” in Tuva. It contains his own new compositions that are direct extensions of traditional Tuvan music as well as his performance of traditional Tuvan songs passed down for generations. He is the youngest member of “Huun Huur Tu” and has played with the group since 2006. He has also participated in The Goshawk Project.
Activity Highlights
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2007 Gotan Project (Adelaide, SA, Australia)
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2009 TFF Rudolstadt 2009 (Rudolstadt, Germany)
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2011 World Music Shanghai (China)
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2012 Hollywood Bowl (Los Angeles, CA)
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2013 Womad (Malmesbury, UK)
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2013 Festival Für Vokalmusik "A Cappella" (Leipzig, Germany)
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2014 Improvisation concert with Tanya Tagaq and her band, Toronto (Aga Khan museum)
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2015 Royce Hall UCLA (Los Angeles, CA)
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2015 Great American Music Hall (San Francisco, CA)
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2015 CTM Siberia (Novosibirsk, Russia)
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2015 Paléo Festival (Nyon, Switzerland)
Collaborative Projects
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1999-2000 Worked in the folk group “Tyva”
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1995-Present Member of Tuvan rock group “Uer”
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2003 Served as director of the Tuva National Orchestra
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2005 Released first solo album “Tuva: Spirits of my Land” w/Cambridge University ethnomusicologist Carole Pegg
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2011 Tamikrest and Huun-Huur-Tu live at Philharmonie Berlin (Germany)
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2015 Joined the Living Mythologies project in 2015 with Andy Bauer and Azmat Hekim, producing 1st album now.
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2016 "Arctic Ice Music" Fordefestival 2016 Project with Terje Isungset, Evie Mark & Beatrice Deer, Sara Marielle Gaup Beaska, Maria Skranes (Norway)
Azmat Hekim (ئەزمەت ھىكىم)
Residence: Beijing, China
Citizenship: People’s Republic of China
Date of Birth: December 10th, 1973
Specialties: Percussion (Xinjiang Hand-drum, Dolan Drum, Cajón, African Drums, Conga, Bongo & Arabic Drums, Horse Hoofs
Azmat Hekim was born into an Uzbek artist family in the Aksu region of northwest China. His grandfather an educational practitioner that immigrated from Uzbekistan to China in the mid 20th century. He was interested in dance from a young age enrolling in the Aksu Dance company in his late teenage years. At the time, due to demand he was dispatched to Urumqi to learn percussion by the company with various masters, surprisingly he found himself deeply in love with the world of beats and rhythms determined to master many forms of traditional and contemporary percussion. Soon thereafter he left the group and moved to several different parts of China during the 90s participating in various ensembles and live performances. In 2000, he moved to Beijing to commence an active and rich music career involving himself with various types of projects. On the one hand, he has worked with groups focused on developing traditional Uyghur music and on the other, he has also made major contributions to the activities of contemporary Uyghur ensembles. Other than this he has taken part in a plethora of ethnic music projects. In the Uyghur percussionist category this type of breadth is rarely seen and is one of his key distinguishing points. He has a rich international performance track record in addition to all kinds of music activity within China. He has participated in music programs such as Chinese Folk Songs and Gather Happily Under One Roof on central television.
Tran Nguyen (Nguyễn Phương Trân)
Residence: Colorado, USA
Citizenship: Socialist Republic of Vietnam
Languages: Vietnamese, Chinese, English, Russian and some Tuvan
Credentials: B.A. Chinese Language, MA Ethnology, Ph.D. Ethnology, Post-Doctorate in Folklore
Date of Birth: December 4th, 1982
Specialties: Vietnamese Folk Singing and Contemporary Multilingual Singing, Dan Bau, Guitar
Born into an academic/intellectual family in Hanoi, Vietnam. Tran’s parents and two sisters are professors in the universities in Vietnam, specialized in linguistics and literature. Tran herself is an ethnology researcher at the Ethnic Minorities Study Center of China in Minzu University of China. The family has had a rich musical atmosphere in which the three sisters and their parents love to sing Vietnamese folk songs as well as contemporary songs rich in Vietnamese characteristics and spirit. Tran participated in many performing activities during her undergraduate as well as when she was a teacher in Hanoi University, Vietnam. Currently, as the producer of the band, she has been working with Living Mythologies working out challenges of transethnic production during the creation of the debut album performance preparation. She participated in Living Mythologies 2016 Inner Astronomy 10 show circuit in China touring to Shanghai, Nanjing, Guiyang, Hangzhou and Beijing.
Activity Highlights
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2017 Wumeng Prairie Festival (Guizhou, China)
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2017 Kongor-ool Ondar International Memorial Concert (Kyzyl, Tuva)
Collaborative Projects
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2012-2014 Worked collaboratively with the local ethnic elites and activists in Altai Siberia (Russia) and the Pamir,
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Badakhshan (Tajikistan) on local ethnic cultural development and revival focusing on the use local knowledge.
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2015-Present Work for the Language and Culture Project under the “Belt and Road Initiative” of the Peking University, promoting Vietnamese linguistic, cultural and musical heritage.
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2017-2019 Minzu University Post Doctoral Research Fellow doing comparative research regarding folklore in the borderlands of China.
Mohichehra Shamurotova (莫希切拉)
Residence: Tashkent, Uzbekistan
Citizenship: Republic of Uzbekistan
Languages: Uzbek, Azerbaijani, Turkish, English, French
Credentials: M.A. Folk Vocology
Date of Birth: 1988
Specialties: Uzbek Maqom, Bukhara and Mavrigi Folk Music, Traditional and Contemporary Vocal Performance
Born in Bukhara, Uzbekistan, Mohichehra grew up in a family in which music, literature, and folklore were part of everyday life. Her father is a writer, poet, playwright, singer, musician, and lyrical-song performer, while her mother has written extensively on the folk music of Bukhara. Her grandmother was deeply knowledgeable about local folk arts and an accomplished singer, and her great-great-uncle, remembered as “Qorabaxshi Mergan” (“the Karabakhi Sniper”), was a baxshi and renowned hunter. Mohichehra began performing with her mother’s folklore ensemble before formally studying Bukhara and Mavrigi folk music at Bukhara Art College. She later returned to the conservatory for graduate study in folk vocology and now teaches in the Maqom Vocology Department at the Uzbek National Institute of Musical Arts named after Yunus Rajabiy. Alongside her grounding in Uzbek musical traditions, she has pursued an unusually wide-ranging vocal practice, singing in multiple languages and exploring music across genres. Her interests in psychology, history, and culture also inform her approach to folklore and performance. As Chief Vocalist and Folklorist of Living Mythologies, Mohichehra brings to the ensemble a musical life shaped not only by formal training, but by several generations of family transmission—song, poetry, storytelling, scholarship, and performance.
Activity Highlights
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2005 — Winner, Young Maqom Performers Competition
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2006 — Recipient of the State Prize “Zulfiya”
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2017 — First Place, 11th Sharq Taronalari International Music Festival
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2019 — Awarded the Medal of “Shuxrat” (Glory)
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2021 — Named an Uzbekistan State Honorary Folk Artist
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Composed more than 30 maqom songs for the Uzbek Gold Fund at the Radio House
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International performances in Kazakhstan, Japan, the United States, Latvia, China, France, Estonia, and Malaysia
Professional & Collaborative Work
2015–2017 — Graduate study in folk vocology at the conservatory.
Present — Teacher in the Maqom Vocology Department, Uzbek National Institute of Musical Arts named after Yunus Rajabiy.
Present — Vocalist with the music group Registan and Chief Vocalist & Folklorist with Living Mythologies.
Sirojiddin Usmanov
Residence: Tashkent, Uzbekistan
Citizenship: Republic of Uzbekistan
Date of Birth: 1975
Credentials: Fergana State Art School; Tashkent State Conservatory, Faculty of Oriental Music
Specialties: Kanun, Chang, Uzbek Traditional Music, Maqom, Cross-Genre Performance
Born in Margilan in Uzbekistan’s Fergana Valley, Sirojiddin Usmanov studied kanun and chang at the Fergana State Art School before continuing at the Tashkent State Conservatory, where he graduated from the Faculty of Oriental Music in 1999. He was awarded third and second prizes at the Yunus Rajabi International Competition of Performers in 1995 and 1999 respectively.
From 2002 to 2020, Sirojiddin performed with the ensemble of celebrated Uzbek singer Yulduz Usmanova, touring extensively across Europe, Asia, and North America. Alongside his performing career, he has remained active in musical education and is currently affiliated with the Uzbek National Institute of Musical Arts named after Yunus Rajabiy.
Sirojiddin’s playing combines the depth and precision of Uzbek traditional performance with an openness to contemporary experimentation. His richly nuanced kanun technique has moved comfortably between maqom, traditional ensembles, cross-genre collaborations, and ethno-rock. With Living Mythologies, he brings that same curiosity to music that allows tradition to remain distinctive while finding unexpected new surroundings.
Activity Highlights
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1995 — Third Prize, Yunus Rajabi International Competition
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1999 — Second Prize, Yunus Rajabi International Competition
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2002–2020 — Musician with the Yulduz Usmanova ensemble
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International performances across Europe, Asia, and North America
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Music educator at the Uzbek National Institute of Musical Arts named after Yunus Rajabiy
Ji Peng (纪鹏)
Residence: Ulanhot, China
Citizenship: People’s Republic of China
Languages: Uyghur/Uzbek, Chinese, English, Russian
Credentials: Minzu University of China; M.A., Uzbekistan State Conservatory of Music
Specialties: Rawap, Keyboard, Arrangement, Central Asian & Minority Instrumental Music
Ji Peng began studying music and keyboard as a child before developing a fascination with the rawap during her teenage years. From 2006 to 2010, she studied in the Minority Instrumental Music Department at Minzu University of China under renowned rawap musician Alimjan Tursun. During this period, she performed as a soloist with the Central Minority Orchestra at major venues including the Beijing Concert Hall, National Centre for the Performing Arts, and National Culture Palace.
From 2011 to 2014, Ji continued her studies at the Uzbekistan State Conservatory of Music, earning a master’s degree in traditional instrumental performance with a specialization in rawap. Living in Tashkent also deepened her interest in Uzbek language, music, and cultural traditions, culminating in her solo graduation concert in 2014.
Ji joined Living Mythologies in 2018, contributing rawap and arrangement to the band’s recordings. Her musical background—moving between keyboard, conservatory training, and Central Asian instrumental traditions—brings both precision and flexibility to the ensemble’s collaborative sound.
Activity Highlights
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2006–2010 — Studied rawap under Alimjan Tursun at Minzu University of China
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Solo performances at Beijing Concert Hall, National Centre for the Performing Arts, and National Culture Palace
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2011–2014 — M.A. studies at the Uzbekistan State Conservatory of Music
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2014 — Solo graduation concert in Tashkent
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2018 — Joined Living Mythologies as rawapist and arranger
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2019 — Co-founded the Red City FFF ensemble in Ulanhot, serving as its administrative director
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Yasin Artan (亚森·阿尔坦)
Residence: Beijing, China
Citizenship: People’s Republic of China
Languages: Uyghur, Chinese
Specialties: Ambiance Production, Guitar, Improvisation, Modern Flamenco, Gypsy Jazz, Latin Music, Uyghur Folk Music, Experimental Music
Born into a Uyghur family in Kashgar with a rich musical environment, Yasen grew up surrounded by the sounds of his father, a folk artist who sings and plays the dutar. His own musical path has moved between inherited Uyghur traditions and an eclectic contemporary practice encompassing modern flamenco, gypsy jazz, Latin music, original folk song, and experimental improvisation. Based in Beijing in recent years, he has performed extensively across China while working in recording and collaborative music production. With the Jam band, he released the album Almichi Anar, and in 2016 his original song “Yarim Yok” was featured in Xinjiang Television’s Beijing · Bird’s Nest Meshrep concert.
Within Living Mythologies, Yasen occupies the unusual role of Ambiance Producer. For him, producing a record is not simply a matter of arranging sounds: the relationships in the room shape what becomes possible within the music. Trust, vulnerability, fear, desire, intimacy, and even moments of uncertainty can become part of the conditions from which a performance emerges. As he puts it, “the feeling is the most important thing.”
Yasen therefore works closely with the atmosphere surrounding the creative process—building trust and friendship among musicians while leaving space for the unexpected. Rather than forcing every encounter toward a predetermined result, he listens for the musical possibilities that surface through improvisation, coincidence, and the particular chemistry between people. His work with Living Mythologies seeks out those fleeting moments when a musical idea could not quite have belonged to any one musician before they entered the room together.
Activity Highlights
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Released the album Almichi Anar with the Jam band
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2016 — Original song “Yarim Yok” featured in Xinjiang Television’s Beijing · Bird’s Nest Meshrep concert
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Live performances and recording work across China
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Musical practice spanning modern flamenco, gypsy jazz, Latin music, Uyghur folk song, and experimental improvisation
Collaborative & Production Work
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Beijing & Across China — Active in live performance, recording, original composition, and collaborative music-making.
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Living Mythologies — Ambiance Producer, cultivating the interpersonal and creative conditions through which musicians can experiment, improvise, and develop unexpected musical relationships.
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Production Philosophy — Approaches production through atmosphere and human relationships, emphasizing trust, openness, emotional presence, and serendipity as active elements in the creation of music.
Producers and Collaborators
In addition to having extensive traditional music training, our collaborative members are also largely musicians with a strong interest in different language and cultures.
Chingis Sorju
Residence: Saint-Petersburg (Russian Federation)
Citizenship: Russian Federation
Date of Birth: March 7th, 1996
Languages: Tuvan, Russian, English
Credentials: BA Sound Engineering (St. Petersburg University of the Humanities and Social Sciences)
Specialties: Sound Production, mixing, recording, mastering, engineering, music composing, singing, guitar, bass guitar, piano, percussion, Jew’s Harp
Born into a family of actors and treasury workers. His grandmother and grandfather were artists in folk ensemble «Sayan». They taught him the knowledge and skills needed for Tuvan folk art and music. In this way, he grew up in the backstage of the theater. Previously, he tried to enter The Mikhail Shchepkin Higher Theatre School in Moscow, although Chingis passed all exams he was determined too young to enter. Thereafter he enrolled into sSt. Petersburg University of the Humanities and Social Sciences in the musical sound engineering major and passed bachelor curriculum with flying colors. He is just now complete his master courses.
He became interested in music at age 11, when he heard his friend playing guitar. At age 14, he began playing in a local Tuvan punk rock band and composed songs. When he realized that he needed to record his music, he began to study sound engineering independently. Therein, he recorded his songs and musical compositions and put them on social networks, where he received good reviews. This prompted him to continue music seriously in the university.
During university days, he wrote music for films and commercials. A video with his music won the all-Russian award "Regional Brand" television contest.
Recent Collaborative Projects
2013: Commenced work at local recording studio in the Center for Development of Traditional Tuvan Culture. From the first day there began to record Tuvan Orchestra.
2014: After a several days he started to produce the album of famous Tuvan Rock band UER. He recorded, mixed and mastered their album.
2015: Also he has worked a lot with other famous tuvan music groups including Huun-Huur-Tu, Alash Ensemble, Tuvan national orchestra, Tyva ensemble, Tyva Kyzy Ensemble, Sholban Mongush (Yat-Kha), Sailyk Ommun (ex. Yat-Kha), Sayan Dembirel.
2016: Furthermore, Chingis wrote a song for member of the Russian TV show «Voice» Aleksander Ripchansky.
2017: At most recent he has worked with Living Mythologies ensemble working on 3 upcoming LP releases and two EP releases for which he has traveled internationally to complete mixing projects.
All other collaborative artists not mentioned here will be mentioned in the corresponding album recording production detail page and/or concert production detail page.
All other artist roles not directly mentioned above are listed below and pertinent details can be found on corresponding production pages elsewhere on Livingmythologies.com:
Instrumental Musicians
Radik Tyulyush (Instrumentalist and Vocalist, Huun Huur Tu, BBC WORLD MUSIC Recipient w/Yat-Kha Ensemble)
Andy Bauer (PhD Anthropology of Art, Minzu University)
Ji Peng (Rawap-is, MA Tashkent Conservatory of Music)
Bailak Mongush (Percussionist Tuvan State Orchestra)
Ayan-ool Sam (Tuvan Instrumentalist, Moscow State University (Grammy for appearance in Bela Fleck and the Flecktones Album))
Bady-Dorzhu Ondar (People’s Khoomei-chi, Tuva (Grammy for appearance in Bela Fleck and the Flecktones Album))
Ayan Serijik (Percussionist, Alash Ensemble (Grammy for appearance in Bela Fleck and the Flecktones Album))
Patrick Chan (MA Percussion, Arkansas State University)
Azmat Hekim (Percussionist for Hanhong, Greywolf, Haya)
Prof. Alimjan (Tambur and Ruwap Player, Grammy-winning artist from Crouching Tiger Hidden Dragon Soundtrack)
Adil Ghirjek (Ghirjek player from China Ethnic Song & Dance Ensemble)
Yuko Nakamura (Traditional Biwa Master and Lyricist)
Eji Kamada (Japanese Igil Player)
Yasen Artan (Contemporary Uyghur Musician)
Yohei Tamura (Japanese Musician)
Memetjan Metqasim (Uyghur Folk Musician & Guitarist)
Tanju Erhol (Turkish Clarinet Master)
Vocalists
Radik Tyulyush (Instrumentalist and Vocalist, Huun Huur Tu)
Andy Bauer (PhD Anthropology of Art, Minzu University)
Yasen Artan (Uyghur Musician)
Trân Nguyễn (PhD Ethnology, Minzu University)
Belek Anay-ool (Tuvan Rap Artist)
Aiyismaa Opei (Tuvan Folk Singer)
Dongun-ool (Tuvan Folk Singer)
Angir-ool (Tuvan Folk Singer)
Memetjan Metqasim (Uyghur Musician)
Narrations
Aidysmaa Kilik (MA Anthropology, Minzu University)
Alexei Saryglar (Huun Huur Tu Ensemble)
Eji Kamada (Japanese Musician)
Supporting Vocals
Batourqier (MA Linguistics, XInjiang University)
Aidysmaa Kilik (MA Anthropology, Minzu University)
Zhao Nan (PhD Ethnology, Minzu University)
Wang Weihao (MA Opera, Minzu University)
Wurigon (Instrumentalist, Minzu University of China)
Lyrical Transliteration
Chechena Ondar (Linguist, Republic of Tuva)
Aidysmaa Kilik (MA Anthropology, Minzu University)
Studio Direction
Sean Quirk (Manager, Alash Ensemble)
Sholban Mongush (Vice Head Tuvan Cultural Center)
Tran Nguyen (Vietnamese Ethnologist)
Paizula Fulate (Uyghur Musician, BA Berkeley School of Music)
Vocal Production
Barry Brown (American Opera Singer & Vocal Producer)
Inna Damba-Huurak (Tuvan Philanthropist)
Erpan Togrul (Uyghur Electronic Musician)
Paizula Fulate (Uyghur Musician)
Lyrical Production
Molly Wang (Chinese Lyricists, MA Minzu University)
Eric Dongak (Tuvan Poet)
Aidysmaa Kilik (MA Anthropology, Minzu University)
Phương Trân Nguyễn (PhD Ethnology, Minzu University)
Taeko Kanoh (Japanese Editor, Lyricists)
Merdan Eheteli (Uyghur Poet)
Radik Tyulyush (Tuvan Lyricist)
Abdurahim (PhD Uyghur Lyricist)
Studio Direction
Travis Wyrick (Studio Producer, Knoxville Tennessee)
Ming Li (Studio Director, Beijing China)
Damian Wang (Studio Director, Beijing China)
Phương Trân Nguyễn (Studio Director, Beijing China)
Studio Engineering
Xiaobai (Studio Engineer, Beijing China)
Sholban Mongush (Studio Engineer, Beijing China)
Sound Mixing Concept
Andy Bauer (Musician, Colorado)
Mike Papadakis (Visual & Sound Artist, Denver Colorado)
Chingis Sorju (Sorju Sounds & Productions, MA Sound Engineering, University Social Sciences St. Petersburg, Russia)
Misha Oshkanov (Sorju Sounds & Productions, MA Sound Engineering, University Social Sciences St. Petersburg, Russia)
Gavin Tempany (RACE / Britannica Row)
Mastering Concept
Gavin Tempany (RACE / Britannica Row)
Concept Presentation Direction
Mike Papadakis (Visual & Sound Artist, Denver Colorado)
Valentina Suzukei (PhD Ethnomusicologist from TIGI, Republic of Tuva)
Prof. Jianmin Wang (PhD Anthropologist, Minzu University of China)
Prof. Haiyang Zhang (PhD Ethnomusicologist, Minzu University of China)